![]() At the end of the song each night, he’d slide the last brick into place with his own two hands, completing his isolation, finalizing his and the audience’s alienation from each other, a process that maybe Waters felt more profoundly than those watching, but which, nonetheless, was one of the driving forces for the album/show/movie’s creation. Screen in the center of the stage, and then, eventually, across the massive, blank face of the wall itself, looming over the audience, taunting them.Īt the end of the show’s first “act,” which, of course, coincided with the end of the double LP’s first disc, Roger Waters would sing the brief “Goodbye Cruel World” from behind the wall, visible through only the last remaining hole in the monstrous, white façade. Every night, animation flickered, first, on good old Mr. ![]() Every night, giant inflatable puppets dangled and danced across the stage, berating the show’s main character, subtly named Pink. Every night, the crew build a wall across the front of the stage, obscuring the band from the audience. ![]() Of course, “touring” in the traditional sense wasn’t particularly practical for the show, which wasn’t so much a concert as an intricately staged theatrical production. Not in the traditional sense-a week in L.A., then five months off, followed by six nights in London, then six more months off, then a week in West Germany, then three months off, followed by five more nights in London. ![]() Pink Floyd’s “tour” for The Wall wasn’t really a tour. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |